As
a means for creating an unsettling tension in a sculpture,
I use shifts and inconsistencies of scale and movement.
I produce "anxious objects." It seems to me
an approach to content that most expresses the reality
of our lives. Humor laces my work; like my ghettoforebears,
I need to laugh at the dark.
Since
1992, two series of work, both involving movement and
interaction, have occupied me. The first, inspired by
the Gulf War and my own concerns, is "War
Toys".
These are a flock of comic, ferocious, fantastic machines
with wheels and clumsy movement. I made them small-ankle
to knee high-to give the viewer an opportunity for Olympian
detachment. On the other hand, they are pet-size, seductively
interesting, and inviting to play with.
The
new War Toy Redux series continues the concerns of the
original "War
Toys". These toys in glass and metal reference
bio-terror. As in the earlier series, these sculptures
intend to please and provoke and to address war itself
as an ongoing preoccupation.
I believe weapons have a seductive appeal to our flawed
species but whatever biological necessity this fascination
with aggression has for the species, it has long ago gone
obsolete. I hope these constructions can help us face
our absurd behavior and create some perspective.
Bella
Feldman bella@bellafeldman.com
950 - D 61st Street Oakland, California 94611
Copyright 2008, Bella Feldman · All
Rights Reserved